Brother to the more celebrated Gustav Vigeland, whose eccentric sculptures occupy a Dubbed Oslo’s “best kept secret” by locals, the Emanuel Vigeland Museum serves double duty as a mausoleum designed and decorated by Vigeland himself. The building is entered by stooping through a heavy, low iron door. Inside, a large, darkened barrel-vaulted room is completely covered with paintings that show human life from conception to death in explicitly erotic scenes. The 800 square meter fresco took Vigeland 20 years to finish.
Entering the mausoleum is a solemn, even haunting, experience. Even the smallest footstep echoes across the barrel-vaulted ceiling for up to 14 seconds. A flashlight is needed to reveal the room’s dark painted walls.
Vigeland began construction on the building in 1926 with the intention of later filling it with his paintings and sculptures. At this point, only one wall and the ceiling of the barrel-vaulted room was to be covered by paintings; the rest would be left to showcase other works.
When Vigeland decided that the museum would also serve as his mausoleum, he had the windows sealed with bricks, lending the entire building an eerie atmosphere. He completed the fresco, finding inspiration in the burial chambers of Antiquity and drawing especially from the dramatic stories of Creation and the Original Sin from Christianity. Name Vita, or “Life,” the fresco focuses on “man’s sexual instinct, conveyed through multitudes of naked bodies, women and men in impetuous intimacy,” according to the museum’s official website.
After Vigeland’s death, his ashes were put to rest in an urn that sits above the main entrance. Taken over as a private foundation, the museum was opened to the public in 1959, more than a decade after Vigeland’s death.
Today, the museum is only open to the public for a few short hours each week, but it plays host to several concerts (sometimes involving didgeridoos) throughout the year.